Anthem of Our Dyeing Day

Life is meant to be lived in full color. Though artificial dyes have had us in a choke hold for the past half century, it hasn’t always been that way. Nature has so much to offer, beyond the fleeting rainbow after a storm. Everyday plants, flowers, and even kitchen scraps contain vivid hues waiting to infuse fabrics with vibrant, one-of-a-kind shades. Transform old shirts, plain linen napkins, or even simple scarves into canvases of rich, natural color, all from what’s growing right outside your door or tucked away in your pantry.

Choosing Fibers that Will Accept Natural Dyes

Not all fabrics work equally well when it comes to dyeing. Natural fibers like cotton, linen, bamboo, and hemp tend to absorb natural dyes better than synthetics, which often have a coating that resists dye uptake.

Cellulose fibers (anything that didn’t come from an animal) are plant-based and require special attention in the mordanting process (see below) to ensure they accept dyes effectively. These fibers need to be properly pre-treated with a mordant to help them bond with the dye.

The key to successful natural dyeing is knowing the fiber you’re working with and whether it needs pre-treatment to absorb color properly.

Pre-Treating Cellulose Fibers: Scouring and Mordanting

Cellulose fibers like cotton and linen are less naturally absorbent when it comes to dyeing. That’s where scouring and mordanting come in.

  • Scouring is a cleaning process that removes any oils, dirt, or factory residues from the fibers. This step ensures that your dye bath will take evenly across the fabric. To scour fibers, simmer them in a water solution with a mild detergent (like a dish soap) for about 30-60 minutes. Rinse thoroughly before dyeing.
  • Mordanting is the process of applying a mordant, a substance that helps the dye bond to the fiber. Alum (potassium aluminum sulfate) is the most commonly used mordant for cellulose fibers, but iron and copper can also be used for different color effects. A simple alum mordanting process involves simmering the fabric in a mordant solution for an hour or so, then allowing it to cool and soak in the solution for at least 24 hours.

Mordanting is especially important for cellulose fibers because it helps the dye adhere to the fibers, resulting in more vibrant and long-lasting colors.

Choosing Colorful Plants for Your Project

The beauty of natural dyeing lies in its vast palette of colors, waiting right outside your door, or already on your kitchen counter. Here are some classic dye plants to get you started:

  • Red onion skins, rose petals, annatto seeds, and cranberries – There’s no lack of bold red options, which can create everything from soft pinks to deep maroons.
  • Beets – Yep, those earthy roots can give you stunning reds and pinks. Plus, you can eat the leftovers!
  • Marigolds, yarrow, and daffodils – These cheerful flowers are perfect for warm yellows and oranges, making them a go-to for a sunny, vibrant dye.
  • Cabbage – Believe it or not, red cabbage leaves can produce everything from pale blues to rich purples, depending on the pH of your dye bath.
  • Turmeric – This kitchen staple gives off a bold yellow color, perfect for adding a touch of sunshine to your projects.
  • Blackberries and blueberries – If you’ve got a stash of these berries, they can give you rich purples and pinks—perfect for creating a moody, cool vibe.
  • Grass and Dandelion leaves – Put those weeds to work! Regular old lawn clippings can produce vibrant greens, especially when combined with the right mordant.
  • Avocado skins and pits – While known for their pinkish tones, avocado pits and skins can also give off a soft greenish hue when paired with the right mordant.

You can forage for local plants to create your own unique color palette. However, not all plants work equally well in dyeing, so it’s essential to experiment and learn which local plants yield the colors you want.

Printing with Plants: Creating Beautiful Patterns Naturally

If you’re looking to add some botanical flair to your fabrics, “printing” with flowers, leaves, and other plant materials is a simple and stunning way to make unique, nature-inspired patterns. Unlike traditional dyeing, which involves soaking the fabric in a dye bath, printing is more like creating a natural stamp or design on your fabric using the plants themselves. Here’s how to do it:

  1. Prepare Your Fabric –-Pre-mordant your fabric (if desired) to help the color bond better, though you can also experiment without mordanting for softer, more subtle prints. Lightly dampening the fabric can help the print absorb better.
  2. Arrange the Plant Materials – Lay your fabric flat and start arranging your plant materials directly on top of the fabric. You can either create a scattered, random pattern or a more structured design—think about leaves creating a repeating pattern or flowers placed in a corner for a more artistic touch.
  3. Print the Design – To transfer the plant’s color to the fabric, gently press down on the plant material. The easiest way to do this is to roll it up very tightly, then roll that into a coil, then tie it with twine. Bear in mind that thinner materials may bleed through, so you might want to place a piece of plastic wrap on top of the full length to prevent any unwanted transfer.
  4. Set the Design – Once the design is pressed, you can heat set the print by steaming the coil for 10 – 15 minutes. Be careful that the fabric never touches the water or else the colors will bleed. Cool and dry completely before unwrapping.
  5. Reveal Your Pattern – After the fabric has dried, carefully peel off the plant materials to reveal your print. The result will be a one-of-a-kind design with all the textures and colors of nature, from soft, leafy imprints to vibrant floral marks.

This method allows you to play with patterns, colors, and textures in a way that’s totally unique. You can experiment with different plants, layer prints, or even mix and match colors from different flowers or leaves. Whether you’re aiming for delicate, ethereal prints or bold, graphic designs, plant printing opens up endless possibilities for personalizing your fabrics with the beauty of nature.

Processing & Extracting Dyes

To extract color from plants, you’ll need to prepare the plant matter. For leaves, flowers, or bark, chopping or grinding the material into smaller pieces helps release more dye. Once the material is prepared, follow these steps:

  1. Place your plant material in a non-reactive pot and cover with water.
  2. Simmer for 1-2 hours (or longer for more intense color).
  3. Strain out the plant material using cheesecloth or a fine strainer.
  4. You now have a dye bath ready for your fiber.

Immersion Dyeing: Creating Deep, Saturated Colors

For the most vibrant and deep colors on cellulose fibers, immersion dyeing is the way to go. After your fiber is prepped and mordanted, immerse it in the dye bath. The longer you leave the fabric in the bath, the more intense the color will be. You can also layer colors for a more complex hue.

For a rich, deep color, try multiple rounds of immersion, allowing the fabric to dry between dips. This layering technique helps build up saturation without overwhelming the fiber.

Caring for Naturally Dyed Fibers

Once you’ve successfully dyed your fibers, proper care will ensure that the colors last. Natural dyes can be more susceptible to fading, so always wash your dyed items with care:

  • Hand wash in cold water with a mild detergent.
  • Avoid direct sunlight for long periods, as UV rays can fade natural dyes.
  • Air dry instead of using a dryer to protect the color.

Some colors may need periodic re-dyeing to keep their vibrancy over time.

Natural dyeing is a process that can be as rewarding as it is beautiful. By learning how to select the right fibers, extract colors from plants, and care for your creations, you’ll be able to craft stunning, eco-friendly textiles that are truly one of a kind. So gather your materials, test some local plants, and dive into the world of natural color—your next handmade project awaits!

Meant To Be Broken

Nothing is perfect, nothing is permanent, and nothing is fully complete. This is the definition of wabi-sabi, the wisdom that I try to live by, and also a fitting description of this blog. Now 18 years in, examples of each tenet can be found in abundance on these sprawling digital pages.

I’ve been blogging here for over half of my life. 18 years is a long time for anything. If we were married, I’d give my dear BitterSweet Blog the gift of porcelain, a delicate, beautiful material symbolizing the care and attention needed to nurture a long-lasting relationship. Of course, with my lack of coordination, I think we all know how this would end.

The number of dishes I’ve shattered over the course of my career could fill a potter’s graveyard. Every time I sweep, random bits and pieces of past plates are liable to surface, no matter when or where I last dropped one. Leaving such destruction in my wake feels like a curse, but in truth, is an opportunity.

Kintsugi, otherwise known as the art of gold mendery, is something I should have taken up long ago. When dishes break, they can be repaired. Not only that, but using gold to fix the seams, they become even more beautiful, valuable, and often stronger than before. It’s not a flaw, but a feature.

To make you own kintsugi, you don’t need to be rich in precious metals. My shortcut here is to take your broken dishware, make sure it’s very clean, and paint the rough edges with gold acrylic paint. Make sure you go over everything that is exposed and no longer shiny or with a finished, glazed edge. Let that dry, then go over it with a very thin layer of food-safe epoxy. Reattach the pieces, slowly and carefully, going in stages if needed to let other pieces set first. That’s all it takes.

This is best for dishware with clean breaks and minimal chipping or missing pieces. There are other approaches that use additional epoxy to fill more substantial gaps, or replace them with matching pieces from similar dishware, but that’s simply above my pay grade. You’ll want to hand wash the mended ceramics to be safe, moving forward.

Is it perfect? Absolutely not. That’s the beauty of it. Cheers, to another 18 years of breaking things and putting them back together, better than ever.

Glass Act

After so many years of looking inward in search of that “new you for the new year,” can we all agree that what we really need to change is the same tired routine? Could it be that such deep personal dissatisfaction is simply a side effect of boredom, of time wasted on the couch instead of living life? Shake it up, get out there, and do something radically different this time around! I’m all about making 2019 my year of adventure, starting with a little help from IfOnly. Curating singular experiences with talented luminaries in cities across the US, this is not just another Groupon or Living Social app. You can have Alice Waters cook a private meal for you in your own home, go paragliding over the whole bay area, or even book a hot air balloon excursion over Mount Everest. Starting a bit closer to home, I’m still just testing the waters before I jump in head-first on a scuba diving adventure, instead homing in on the wide range of hands-on art opportunities nearby. Sure, painting and sewing are easy enough to pick up, but glass work is considerably less accessible.

Enter: Lynn Rovelstad, offering curious crafters an opportunity to get up close and personal with a kaleidoscope of custom glass projects. Rather than a standard drop-in to dabble with scraps, this booking gets you a private tutorial with the glass master herself, for an intimate afternoon for two or a party of twelve.

Whereas blown glass is difficult, hot, and potentially very dangerous, fused glass is easy, safe, and fun for all ages. In fact, children as young as 18 months have gotten in on the act, but 3 years old is the generally recommended minimum. The biggest hazard to participants are possible glass splinters, though even that risk is quite rare.

Fragments of colored glass are adhered to solid white, black, or clear glass base with plain old nontoxic Elmer’s glue gel. The process is very much reminiscent of mosaic making, with the bigger picture slowly revealing itself through each subsequent shard. Placement becomes permanent only after a day or two in the 1500-degree kiln. Edges are rounded, surfaces smoothed, and your work of art transforms into a solid, single piece. It’s akin to modern magic, although in the case of my one-of-a-kind serving utensil set, much more practical alchemy.

In one afternoon, I managed to go outside my comfort zone to explore a new part of the bay area, meet an inspiring artisan, spend time with a good friend, AND craft a completely unique salad serving set, barbecue fork, bread knife, and cake server. While it may not be as bold as flying a jet plane at mach speed, it was the exhilarating change of pace I needed to get out of my crafting rut and try something new.

Join me: Don’t just make resolutions for 2019, but make something real. Start crossing activities of your bucket list instead of adding them, for once. Get $50 off your first booking on IfOnly with the discount code “Kaminsky50” until 3/31/19.

Do or Do-nut

Bigger is always better, or so we’re led to believe here in America. Grande sounds good, but why stop there when you can get a Venti, or even a Trenta? While you’re at it, you might as well super-size that order, or just get your whole meal in a bucket when no other vessel is large enough to accommodate. The literal proportions of the situation can quickly get out of hand, but by no means is this a criticism- More of an amused observation. I fully accept my own guilt when it comes to pushing reasonable size limitations in all aspects, and especially when it comes to food. Though I’d like to think of myself as more rational, balanced, or reserved, it’s hard to deny when the entire volume of your largest suitcase is occupied by just one doughnut.

Somehow it figures that the single largest object to have ever emerged from my crochet hook would be a dessert. Coming from this sweet-toothed and food-obsessed crafter, what else could it have really been? Billed as a “floor poof,” I’d like to think that this creation is genuinely more functional than frivolous. Kick up your feet and use it as an ottoman; stack up some reading material to enjoy it as a side table; cozy up with it on the couch as a super plush pillow. Really, its utility is as expansive as its physical size.

What I didn’t anticipate was that everyone in the house would want to make the most of this enormous fiberfill fritter.

It should come as no surprise that dogs love doughnuts too. One four-legged visitor discovered that my cotton snack cake was in fact the perfect size for a dog bed. Seeing this sweet pup so happily wedged in the center, it was hard to argue that in this case, bigger really was better. Maybe I should try stepping it up next time and build one with a Great Dane in mind. It’s best to keep thinking big, right?

Pattern from Twinkie Chan’s Crocheted Abode a la Mode.

An Unexpected Interloper

It’s been a banner year for our postage stamp-sized garden out back, finally turning out greater yields than the miniscule seeds that went into the ground in the first place. Predictably, with greater growing success comes the need for greater vigilance, as plump tomatoes gleam brighter and redder by the day, proving irresistible to both human and animal passersby. As if it wasn’t difficult enough to let the immature fruits ripen on the vine, as deeper shades of blush tempt a premature harvest, keeping other creatures from that same impulse has become something of a full-time occupation. Flimsy netting can only go so far, especially with the creatures smart enough to burrow beneath that loosely applied barrier.

Such was the case when one particularly ambitious (or perhaps, merely hungry) rabbit made it past the fence unhindered. Seemingly stunned to have stumbled upon this treasure trove of produce, he couldn’t quite get his bearings, unsure if it was all real or just a beautiful dream. Standing slack-jawed on a big green hill to get a better view of this bounty, it never even occurred to him that it was in fact a baby watermelon right beneath his feet. Beggars can’t be choosers, but when faced with a near limitless selection of edibles, this particular herbivore singled out the one thing he wanted most, neglecting all the easier prey: Carrots.

Upon spotting the green, frilly tops shooting up from the tender earth, there were no suitable alternatives as far as the rabbit was concern. Leaping off the neglected melon that might as well have been made of stone, he made a beeline for his beloved, fervently scooping away the dirt and yanking those promising sprouts with all his might. Possessing impressive might despite his size, he made quick work of the task and soon took one rapturous bite full of…

Parsley root? Indignant, he spat out the mouthful of beige tuber, still in disbelief at what he was tasting. Seriously, who plants parsley root instead of carrots? To call this a disappointment wouldn’t even scratch the surface at what this industrious rabbit was feeling, especially after all of the obstacles he had to overcome, all for that subtly celery-like taste. It wasn’t sweet at all! Who on earth would eat, let alone plant such a bizarre, unlovable vegetable?

Suddenly realizing that the garden mistress must be a raving lunatic, he was gripped with fear, sensing the gravity of his hunger-crazed and thoughtless actions. He fled the scene without a second to lose, abandoning his unwanted plunder right where it lay.

Rabbit amigurumi pattern from ABC Crochet by Mitsuki Hoshi. And yes, I do happen to love parsley root; deal with it, you silly rabbits.

Indian Summer

Just as suddenly as the cold and darkness descended, a brief respite from the encroaching fall brings us glorious blue skies and gentle 80-degree breezes, as if summer never left us in the first place. Toying with my heart, it’s hard not to get attached to this anomaly of the season. While Canadian friends across the border celebrate Thanksgiving, I’m marveling at children still playing on the beaches, joggers baring all in skimpy outfits, and general summer behavior continuing as if the calendar pages haven’t already advanced beyond July. Even the wildlife are clearly mixed up and confused by this inexplicable shift.


Glass platter provided by Steelite

Lounging about on a placid pond without a care in the world, this little fellow can’t even dream of a time without warm sunshine. So comfortable on that buoyant lily pad, I swear I could see him flattening out, relaxing to the point of loosening every muscle in his tiny green body and becoming a genuine pancake of a frog. I didn’t have the heart to tell him that next week is just as liable to bring a blizzard as it is more of this Indian summer. What’s the harm in pretending it’s still vacation, for just a little while longer, at least?

[Flapjack Frog pattern by Anna Hrachovec of MochiMochi Land]