BitterSweet

An Obsession with All Things Handmade and Home-Cooked


9 Comments

Silent Saturday: Macro Nutrients, Part Two

Advertisements


15 Comments

Background Information

Every single photo, be it simple or complex, novice or professional, must always start with two essential components: A subject and a background. Whether we’re talking about people, products, or skyscrapers, it’s the same story. Mercifully, greater control is bestowed upon the photographer lucky enough to work with food, effortlessly modifying textures, colors, and patterns to best highlight the dish du jour. Inevitably cast as the backup singer by definition, photographic backgrounds never get the praise they deserve for setting the scene. Few single components can lay claim to the same power when it comes to affecting the whole composition of a piece in one fell swoop. Such responsibility naturally comes with serious drawbacks, especially when you find your microscopic apartment studio bursting at the seams with huge wooden boards and slabs of worn ceramic tiles. Lest every image start looking the same, it becomes imperative to start diversifying your options, and fast.

Uber Gray Grunge From Ink and Elm Backdrops

For a number of years, I found moderate success using lengths of contact paper as one approach to expand my collection of backgrounds, but this approach has distinct limitations. Rarely do the most useful patterns come in a matte finish, leading to distracting reflections or harsh shiny spots under the glare of strobe lights, especially if there should ever be the smallest wrinkle in the roll.

It was a serendipitous moment of aimless online shopping when I stumbled across Ink and Elm Backdrops. Though clearly developed with the portrait photographer in mind, I immediately saw potential for my inanimate focal points, too. Made of high-quality vinyl, the big question would be how that texture would translate under the close scrutiny of a macro lens. Don’t expect deep wood grain or genuine stone surfaces, but happily, not a single image came out screaming “ARTIFICIAL PRINT BACK HERE! THIS IS ALL A FARCE!” Good news too, since I hate it when my props yell at me.

Heirloom Planks From Ink and Elm Backdrops

Best of all for food photography, these surfaces are highly washable. Go ahead, lay your greasiest potato chips right on top, splash around with cookies dunked in milk; nothing seems to shake these sturdy foundations.

Flexible sizing is another big benefit that traditional alternatives can’t boast. Small squares are available for your basic shoot, but if you want to create a whole Thanksgiving spread on a rustic oak table spanning a couple of feet in both directions, they’ve got you covered, too. Plus, each sheet easily rolls up for compact storage when it’s all said and done.

There is one very serious pitfall to ordering through Ink and Elm, however. Their expansive catalog is so extensive, it’s almost impossible to pick out just one or two patterns!


4 Comments

Citrus Twist

Click the photo above to view full size. If it brings a smile to your face and you’d like to enjoy it as your desktop wallpaper, right click the large version, select “Set as Desktop Background,” and choose the “Stretch” option to fit to your screen.

Stay warm, my friends, and have a bright, tangy, and sweet weekend!


17 Comments

Brown Out

Of all the food styling challenges to darken any visual artists’ day, the exasperated complaint that a particular dish is “too brown” to photograph nicely comes up more often than the average eater might imagine. Considering how many edibles are naturally brown, not to mention that the act of browning through high heat is what makes scores of culinary creations truly delicious, that’s one huge stumbling block to overcome. Banish those old prejudices- Brown really can be beautiful! With just a little bit of planning and attention to detail, there are many ways to prevent a photographic brown out.

When scheming up the overall color palate for any shot, always first consider the color of the food itself. To allow the “hero” to stand out, you want something contrasting, but not jarring.

Think about the occasion you’re making the recipe for. Holidays often come with their own distinctive sets of hues, but try to go beyond the cliched green-and-red for Christmas or orange-and-black for Halloween. Try to picture the mood instead; shimmering white snow around the winter holidays for a more sophisticated palate, or earthy greens and coppery gold for the changing autumnal leaves.

Take the mood you’re trying to set into consideration, too. Fun, whimsical kid’s birthday cake on display? Go bold, bright, and vibrant with those shades! Cozy breakfast in bed with pancakes? Stick with soft, warm tones that echo the soothing morning glow instead.

If you’re still stuck for the perfect accent colors, consider the individual ingredients in your featured dish. Chocolate-cherry cookies bake up a muddy brown, but a vibrant red-violet background would get the point across quite nicely.

There are no hard and fast rules when it comes to art, but when all else fails, go back to basics. Simple white plates are invaluable for keeping the focus on the food, brightening up those darker shades, and preventing visual fatigue brought on by busy patterns. The same principle applies to white backgrounds as well. Subtle textures like stone, fabric, and wood prevent the food from “floating” in the frame, without fighting for attention.

Emphasize texture so it doesn’t appear flat, shapeless, and quite simply boring. Raking the light across the subject, rather than shining it directly into it, shows off all the nooks and crannies of a cake’s crumb, no matter how dark and plain.

Don’t forget about the garnishes! Nothing perks up a boring, bland-looking stew like a sprinkling of fresh herbs. That bright green color tells viewers, “Look, this is fresh!” no matter how long it’s been simmering on the stove. Depending on the flavors being featured, consider reaching for crushed red pepper flakes, chili threads, salsa, edible flowers, berries; anything that makes sense with the dish and breaks up that sea of flat brown color.

Although these are my most commonly employed tricks for managing a photographic brown-out, that’s just the tip of the iceberg when it comes to creative solutions. Every composition will demand something different, which is where the artistry of food styling and prop styling comes into play. When you have a brown situation on your hands, what’s your favorite fix?