Day of Celebration

Nothing motivates quite like a hard deadline, and this one certainly lit a fire underneath me. Kajitsu, temple of shojin cuisine in NYC, had been on my radar for years, but always seemed just outside of reach, despite its easy accessibility. Offering a set menu that changes each month, your only choices are between four courses or eight, with prices that match the painstakingly crafted edibles on offer. There just never seemed a proper occasion or reason to visit, never enough justification to drop that kind of cash on the experience of a single meal. As it turns out, the reason is presented right in the name: Kajitsu, translated as “fine day,” or “day of celebration,” says it all. In other words, treat y’o self, because today is just as worthy of celebration as any other.

When it came to light that the restaurant was closing up shop and moving to a new location, that was the catalyst for finally dropping by. Sure, it was due to reopen only a few weeks later in the heart of Manhattan, but I wanted the full, original experience. Moreover, I wanted an excuse, and this was as good as any.

Seated at the chef’s counter, we were privy to some of the fine details to go into composing these plates, but without seeing any of the real hustle and bustle in the kitchen. To call the atmosphere “meditative” is an understatement; there is no music, no loud chatter. Overhead lights focus directly on the food, which is the only place your attention is desired to fall. Distractions are at a minimum, right down to the tableware. Everything has a place and a purpose, including the attentive waitstaff, never missing a beat.

After the shorter kaze menu was chosen and our fate effectively sealed, the performance began.

Real, sharp, pungent wasabi grated mere seconds before hitting the plate took me by surprise. It was nothing like the colored horseradish found in most other eateries, but that was only an accent flavor to the Sashimi Style King Oyster Mushroom. Served chilled, the slippery slices of mushroom were paired with a savory sauce, a perfect compliment to the natural umami found within. Another delicious surprise came by way of the pickled celery, delightfully tender and yet crunchy all at once. That’s the sort of condiment I would buy by the jarful if only they would package it.

Daikon Soup may not sound like much on paper, but the surprisingly thick broth, enriched with a light asparagus puree, perfectly hit the spot. Concealed by a thin sheet of simmered daikon, a single piece of wheat gluten shaped like an ume blossom stood out in brilliant pink, a playful addition that lightened the serious mood. It would be a stretch to describe a bowl of soup “fun,” but that little touch brought a smile to my face.

The main course ,which was named the Plum Tree Plate, was a collage of complimentary components, displayed together on one plate. Standouts include the lily bulb puree, which is something never before seen in my world, and tasted for all the world like classic, comforting mashed potatoes. Fava beans and string beans came coated in a crispy, completely grease-free shell of tempura, adding just the right degree of indulgence into the meal.

Finally, ending on a soothing note, Baby Mountain Yam Soupy Rice gave diners an opportunity to play with their food just a little bit. Soup came in a separate pitcher, to be poured over a perfectly molded square of yam-filled sushi rice. Sheets of nori practically melted upon contacting the hot broth, seamlessly adding just a hint of oceanic salinity into the mix. Though my sweet tooth still yearned for a sphere of mochi or a small matcha cookie, I found myself perfectly full and content after that last spoonful of soup.

It was a meal worth the wait, although I certainly won’t let so much time pass before my next visit. Happily, they’re due to reopen in Murray Hill by mid-March, so there’s no excuse not to celebrate the day, for any reason at all.

Food Paparazzi

Most comfortable in my quiet “studio” kitchen, working solo and in control of every single element from food to lighting, Wednesday evening’s photography job threw me completely outside of my comfort zone. Featuring many of New York’s premiere vegan restaurants, caterers, and other food organizations, the Healthy Food in Fashion gala promised extraordinary eats from many renowned chefs. Tempted, but intimidated, I balked at the offer; Event photography is not my area of expertise, to say the least. Upon learning that there would be another shooter covering the people, and all I had to worry about was the food, let’s just say that I couldn’t assemble my gear fast enough.

Learning on the fly, I got much more out of this evening than just delicious and memorable morsels. Here are just a few tips for anyone else acting as the food paparazzi for a glamorous (or everyday) event…

Arrive early… But not too early. I showed up a full two hours before the gala was set to begin, and to be honest, I was just in the way for at least one of those hours. Most of the chefs had yet to arrive, and no one had any food prepped and ready for its closeup. It’s definitely easier to get a head-start and begin shooting before guests begin to fill the room, but don’t go overboard.

Consider more than just the food. Yes, that’s the main reason that you’re here, but there’s so much more to the event as well. Snap a few shots of interesting decor, people interacting with the food, anything of interest. It helps tell a more complete story than just a few random plates floating in an ocean of green tablecloth.

Don’t photograph people while they’re eating, ever. It might seem like an interesting “action shot,” but 9 times out of 10, it’s just unflattering. For the remaining 1 time out of 10 it’s downright gross. Plus, it makes guests feel very uncomfortable regardless.

If you’re getting strange color casts from tinted lights, don’t worry about it. Seriously, there are more important things to concern yourself with, especially in post-processing. Don’t go nuts trying to remove the blue highlights caused by mood lighting; it adds ambiance to the photo, in my opinion.

Bump up that ISO, and don’t look back. I typically hate going above 200 ISO due to the grainy quality of the images beyond that, but it’s a sacrifice worth making in such a low-light situation. Since there is really no room to set up a tripod, you’ll have to hand-hold the camera the whole time. A higher ISO can make the difference between getting a useable image, or getting a blurry, out of focus photo due to a longer exposure time. For this event, I went up to 800 ISO.

Do use flash, but don’t use straight on-camera flash. A speedlite (or speedlight, for Nikon cameras) makes a huge difference because you can change the direction of the light. Direct flash will never be flattering to food, so don’t even try it. Always send the light behind you, over your shoulder, or above you, to bounce off of [hopefully] white walls or ceilings. This will help to soften and diffuse it. Also, it helps to get further away from the food if you can’t reduce the intensity of your flash.

Bring about a million backup batteries. That external flash eats them like candy, and there’s nothing more frustrating than having it not fire after you’ve lined up the perfect shot, just because the battery is running low.

Use either a telephoto or zoom lens, to give you some distance from your subject. This is especially helpful so that you’re not jostling hungry guests out of the way, and can stand back from the tables a bit. A macro lens could work if you have nothing else, but I find them harder to stabilize and get sharp images from without the aide of a tripod.

Grab yourself a plate of something particularly lovely, take it off to the side (or enlist a helpful guest to hold it for you) and arrange it nicely. This will help to switch things up, so all of your photos aren’t just big platters of many servings. Also, since you’re taking the food for yourself, you can go crazy and touch it/style it as you wish. And then, of course, you can eat it!

For the rest of my photos from the evening, plus descriptions of the edibles in the spotlight, you can check out my album on Flickr.

Have you ever acted as food paparazzi for an event? What are your tips for securing the best shots?